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- <text id=89TT0570>
- <title>
- Feb. 27, 1989: Bad Neighbors
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1989
- Feb. 27, 1989 The Ayatullah Orders A Hit
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CINEMA, Page 82
- Bad Neighbors
- </hdr><body>
- <p>By Richard Corliss
- </p>
- <qt> <l>THE 'BURBS</l>
- <l>Directed by Joe Dante</l>
- <l>Screenplay by Dana Olsen</l>
- </qt>
- <p> Here it is, folks: the movie that hates its own audience. In
- mall-town America, a modest queue forms at the local Googolplex
- to see a new comedy starring Tom Hanks, exemplary nice guy. This
- time, the overgrown kid from Big is playing Ray Peterson, an
- amiable businessman whose idea of an O.K. vacation is to hang
- around his pleasant home in numbingly normal Hinckley Hills and
- be lazy. Let his wife (Carrie Fisher) and son go to their
- lakeside cottage; he'll just veg out, watch TV and keep an eye
- on those . . . well, darned odd neighbors who recently moved
- next door. These people talk funny; they don't socialize; they
- probably smell bad. So Ray and his friends will just, oh, break
- into the new family's house, dig up the backyard, wreck the
- basement and leave the place in cinders. They'll destroy the
- neighborhood in order to save it.
- </p>
- <p> What's got into moviemakers lately, that they are so
- enthusiastically trashing their most genteel patrons? Bob
- Balaban's recent comedy Parents, a kind of robin's-egg Blue
- Velvet, limned a '50s family, as placid and telegenic as the
- Andersons on Father Knows Best, that devours human flesh. Now
- Middle America gets a return visit from Joe Dante, guerrilla
- terrorist in Spielbergian suburbia. His Gremlins was a comic
- nightmare in which midget monsters invade a wonderful-life town
- and act up like the Hell's Angels in a malt shop. In The
- 'Burbs, the gremlins are the townspeople themselves, driven to
- posse paranoia by their suspicions about people whose only sin
- may be eccentricity. It's sort of a lynch-mob movie for laughs
- -- laughs that are meant to catch in the back of your throat,
- like movie-house popcorn that turns out to be all kernels. One
- of the new neighbors is described as "about a nine on the
- tension scale." And so is this smart, crafty, off-putting movie.
- </p>
- <p> Well, satire was never meant to ingratiate, and The 'Burbs
- is unsparing in its cauterizing of provincialism. One neighbor
- (played by Bruce Dern with wonderfully psychotic poise and a
- barbed-wire halo of gray hair) responds to every real or
- imagined threat to his property values as if he were commanding a
- platoon in Nam -- with trusty telescope, walkie-talkie and a K
- ration of animal crackers. Another friend (Rick Ducommun) is
- your basic bully-wimp who goads Ray into all manner of illicit
- snooping. And Ray is the mild soul caught in the middle; with no
- special convictions, he mutates from a slightly curious
- homeowner to a horribly singed home wrecker. Hanks throws
- himself into this antiaudience movie with such suave energy
- that he seems determined to torpedo his hard-won rep as
- Hollywood's most comfortable new star.
- </p>
- <p> Dante, a gifted parodist, adds spice to the gruel with
- glancing references to vintage cartoons, Sergio Leone movies
- and The Texas Chainsaw Massacre. His sight gags can be as nimble
- as a house number that, when budged, somersaults from a nine to
- a six, revealing the new neighbors' address as 666, the sign of
- the Antichrist. But like many a Hollywood Voltaire, Dante wants
- his Candide candied. This is satire that hedges its bets. By
- the end, Ray and his friends must be heroes as well as oafs;
- the new neighbors must be villains as well as victims. All of
- them are "neighbors from hell," but the old residents are
- revealed to have done the right thing, if for the wrong reasons.
- And so Dante, like the viewer, is left straddling a white picket
- fence, perched between admiration and an urge to move out of
- this neighborhood pretty darned quick.
- </p>
-
- </body></article>
- </text>
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